Friday, 25 September 2015

photography lesson 2

so in photography today were were set the task to take photos out of a national geographic magazine which use different techniques such as depth and and view points.

i felt confident in this because i have an understanding of what each type of picture was and what techniques it used

however i could improve on my lighting skills because some of the photos we took were underexposed.

here are some of the pictures we took






here is a list of some of the techniques that we had to find
Rule of thirds states than an photograph is most pleasing when its subjects or regions are composed along imaginary lines which divide the image into thirds — both vertically and horizontally

balancing elements

Placing your main subject off-centre, as with the rule of thirds, creates a more interesting photo, but it can leave a void in the scene which can make it feel empty. You should balance the "weight" of your subject by including another object of lesser importance to fill the space.

leading Lines
When we look at a photo our eye is naturally drawn along lines. By thinking about how you place lines in your composition, you can affect the way we view the image, pulling us into the picture, towards the subject, or on a journey "through" the scene. There are many different types of line - straight, diagonal, curvy, zigzag, radial etc - and each can be used to enhance our photo's composition.

Symmetry and pattern


We are surrounded by symmetry and patterns, both natural and man-made., They can make for very eye-catching compositions, particularly in situations where they are not expected. Another great way to use them is to break the symmetry or pattern in some way, introducing tension and a focal point to the scene.

Viewpoint



Before photographing your subject, take time to think about where you will shoot it from. Our viewpoint has a massive impact on the composition of our photo, and as a result it can greatly affect the message that the shot conveys. Rather than just shooting from eye level, consider photographing from high above, down at ground level, from the side, from the back, from a long way away, from very close up, and so on.

background
How many times have you taken what you thought would be a great shot, only to find that the final image lacks impact because the subject blends into a busy background?
The human eye is excellent at distinguishing between different elements in a scene, whereas a camera has a tendency to flatten the foreground and background, and this can often ruin an otherwise great photo.

Thankfully this problem is usually easy to overcome at the time of shooting - look around for a plain and unobtrusive background and compose your shot so that it doesn't distract or detract from the subject.

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